I decided to make this Creator's Corner Post FIRST, because it will be the catalyst to the other Creator's Corner's post that come after it today.
It should be obvious that I am NOT a Young Blackman.
I've made it clear that I live on the East Coast in Philadelphia.
I grew up here in Philadelphia in the 80's when the crack-epidemic swept through Black American communities at a rate that even the drug-dealers themselves quickly suspected that Their Rise to Power and so-called money, was all a staged and thought-out event. Orchestrated by Whites in Washington DC and then allowed to take place with the desired effect that while some White Americans would be destroyed.
The mass amount of the loss would be among Us, Black Americans. As it had been intended. Now? What on earth does THAT, have to do with The Transformers?
The Crack-Epidemic was a massive, REAL LIFE INVASION.
Powered by drugs.
That gave money and power to thee absolute WRONG PEOPLE that you'd ever want to have it.
And literally over the course of months, entire Black Communities were at war with Our Respective Criminal Elements Among Us, who now had access to a highly addictive drug. Where crack-cocaine has the horrifically bad and way too scientifically slanted ability to completely destroy its user based off of the amount of melanin the drug-user has in Their Bodies, translation;
The Blacker you are, LITERALLY, the more HORRIFICALLY ADDICTED YOU WILL BECOME TO IT.
Again? What does THIS, have to do with, everything.
It has everything to do with everything.
You see, when Your Real Life Experiences, don't include "convenient bullshit" that allows for "everything to simply turn out right in the End", then?
Ask Yourself, what kind of Entertainment, does someone like that honestly watch and enjoy?
And what kind of Entertainment, does someone like that CREATE?
So if you're keeping up, then you already see why what I have already been typing to you about over the last 2-years. You see why it is based on Reality.
Because I didn't grow up with things conveniently simply just... working out in the End.
For a good result to come out at the End, I had to put in A GOOD AMOUNT OF WORK, to MAKE THAT HAPPEN.
So part of the reason why I could care less about Lord of the Rings as I read it, was because regardless of all else?
It didn't match My Reality around Me.
There was no, You simply Won, Cuz You Happen to Be The Supposed Good Guys.
I saw plenty of "Good Guys".
Either Turn Into Villains.
Or Meet Their End in a Way that told Me that the world around Me was either really backwards or that some of the things I'm sitting around reading and being told to believe in, simply aren't even close to true.
Because of My Experiences, I know that Justice doesn't always come swooping in and things just get magically delicious-righted, and shit wraps up nice-n-neat and now everybody goes home happy. Quite frankly? I still find it interesting that so many other Black Creators, really DO NOT DRAW UPON THEIR ACTUAL LIFE EXPERIENCES WHEN THEY CREATE. And some have told me flat out that they don't want to scare off people by HONESTLY, BEING HONEST WITH THEIR READERS.
I have no problem with that.
And because of that I have flown under the radar for decades.
Periodically appearing and just trying to keep My Own Skills sharp, as a writer and a creator.
But rarely doing enough to generate enough buzz for anyone to honestly give a damn about me.
And one person I met a long time ago, at a Black Comic Convention, realized I was intentionally, hiding.
And they asked Me "What are you waiting for?"
And I told them "The ability to do things the way I need to do them."
And he told me that that would never happen.
And I just...?
Smiled at Him.
And I told Him "If you say so...."
But one thing I had grown tired of even when I was high school, was the Lie, that Things Work Out in The End.
Things work out in the End, WHEN YOU MAKE SURE THAT THEY WORK OUT, in The End.
Is just pipe-dreaming.
And while We ultimately had to leave from South Philadelphia during the Crack-Epidemic?
What My Entire Neighborhood of Black Friends and Family did show Me as a child, is that You have TO FIGHT to make things work out in the End.
And that's what We did.
And the interesting thing about WHEN YOU HONESTLY FIGHT AGAINST AN INVADING FORCE, regardless of WHO OR WHAT IT IS?
You find out what it means to HONESTLY be up against someone or something, that really does want you DEAD.
And the MORE YOU FIGHT, the More You LEARN, about Your Enemy. The same way THEY LEARN ABOUT YOU. And once you start seeing that someone or something IS HELPING THEM. And instead of RECEIVING SUPPORT from the City and Local Law-Enforcement, You get...?
That's a problem.
Take allllllllllllllllllllllllllllllllllll you've just read.
Tie it all up.
And then understand that at the same time that the crack-epidemic was going on a cartoon came out that showed Living Robots, come to earth, to continue a War Among THEMSELVES, that has literally lasted MILLIONS OF YEARS AND IS STILL ONGOING?
Most DON'T UNDERSTAND why I would use My Real Life Experiences of Surviving the Crack-Epidemic to tie it into something like The Transformers. However those who KNOW THE REASON WHY the Crack-Epidemic was ALLOWED TO TAKE PLACE. Know that the REAL WAR WAS BEYOND BLACK AMERICAN COMMUNITIES and that of America itself. Then President Ronald Reagan wanted to "continue" to stop the spread of Communism. While Congress had already made it clear that they'd no longer give money to such causes. Discussions were had. Deals were made. And without one Black American ever knowing it, a deal was reached TO FIND A MEANS TO CREATE FUNDS.
Isn't that lovely.
To MURDER Your Own "so-called citizenry".
By ALLOWING one group SOMEWHERE ELSE.
To use THE ONE RESOURCE THEY HAVE IN ABUNDANCE, cocaine.
To peddle that within Your Borders, to Your "Undesirable-citizenry".
But then to make sure you give the Invaders a formula that would allow for this cocaine to be transformed into something that will also ADVERSELY IMPACT PRIMARILY BLACK AMERICANS.
All because of something that has NOTHING TO DO WITH BLACK AMERICANS.
So much like the Transformers cartoon and movies.
A War between SOMEONE ELSE, FROM SOMEWHERE ELSE.
Lands in YOUR BACKYARD.
And becomes YOUR WAR.
Where those among YOUR OWN KIND.
Who desire nothing more than money for the sake of money.
Power for the sake of Power.
And the Ability to Live a Life that they Can't Earn.
Can now freely run wild with impunity because, FOR THE MOMENT.
They SUIT A LARGER AGENDA.
This was ironically covered in its own way with the 3rd Transformers Movie. Where humans were working with the Decepticons to ensure that THEY WOULD NOT BE MADE INTO SLAVES... By selling out the Entirety of Humanity.
When you have These Types of Dynamics.
When you get CAUGHT IN THE MIDDLE of a CONFLICT between better equipped.
Reality eventually catches up.
You're either going to strike some sort of deal.
Get wiped out in some way, shape, or form.
Or You're going to go to whatever lengths You Need to, To End being caught up in SOMEONE ELSE'S CONFLICT.
Whenever I watched the Transformers Cartoon and when I bought the toys?
Their weaponry, Their personal-abilities?
Megatron combines brute strength, military cunning, ruthlessness and terror. Aches to return to Cybertron to complete the Decepticon conquest, but only after destroying all Autobots on Earth. Plans to possess all of Earth's resources. Incredibly powerful and intelligent. Fires particle beam cannon. Can link up interdimensionally to a black hole and draw anti-matter from it for use as a weapon. No known weakness.
Bluestreak often talks incessantly and inanely. Lightens the situation for all Autobots with his good-natured manner. Despite formidable weaponry and blazing speed, he hates war. Haunted by memory of Decepticons destroying his home-city. Fires bombs up to 8.3 miles and lightning-like 80,000 volt beam up to 12 miles of limited accuracy. Often inhibited by his disdain for combat.
I was a kid and understood that if these things were EVER REAL?
We stood NO CHANCE.
Even near-misses would literally kill any human-being. Add to this the Fact that they could travel across massive amounts of space and still arrive here on earth within a TIMELY. MANNER. Which means that THEIR SPACE-TECHNOLOGY, is INCOMPREHENSIBLE TO MAN. We can't even make it to the goddamn moon, let alone Mars or anyplace else in Our Own Solar System!
While they can literally travel from Their Homeworld, TO OURS, within the same day.
And while I was a kid, I wasn't stupid.
Because I grew up reading about space travel.
Human Technology was and still is, pathetic.
In comparison to what the Transformers cartoon was actually highlighting.
When I would hear grown adults talk about how can Megatron transform into a gun LIGHT ENOUGH for a human to hold. I told My Uncle one time that people used to use Leeches to suck out "bad blood" in Europe. Meanwhile, Leeches drain blood for the sake of draining blood because THAT IS WHAT THEY DO!
To use a Leech in an actual medical way would require knowing what a Leech is and then knowing what benefits it can give to a human-being. But simply putting it on a person so it can suck the blood out while being stupid and not knowing that it simply drains blood BECAUSE THAT IS WHAT IT DOES!?
Somebody had to eventually figure out it was stupid. And then people had to start figuring out how to actually solve medical problems instead of being stupid. Megatron can transform into a gun light-enough and small enough for a person to use because that is part of what makes them, THEM. Not only is Their Technology Superior, but they're biologically more advanced than We are even though they're robotic! Since they are a different kind of life then they can do things that We can't as life made up entirely of organic matter!
Needless to say He had fun seeing that I was taking a cartoon and applying it to my actual studies in school! However it does raise the point that we are talking about lifeforms who make Us look pathetic and weak in comparison. A mere handful or simply THE WRONG TRANSFORMER, regardless of which side, LANDING ON EARTH, could be CATASTROPHIC! Even an Autobot like Fortress Maximus landing on earth would lead to trouble once he's detected by ANY Decepticons elsewhere off-earth!
This ties into why Counterstrike within My Storylines, is constantly pushing the envelope, regardless of all else. It is part of the reason why MADtronix is constantly, pushing the envelope. Because thanks to AN OUTSIDE FORCE. And, a force that USED TO EXIST, and had been totally unknown to modern-day humans, The Martians of Earth.
All of the petty.
And persistent problems of Our World?
Now can be literally changed overnight.
Thanks to the arrival of simply ONE.
Tanis Dragonoid, and His Interference in Human-Affairs and Development.
With Dr. Charles Pagan's arrival and then Him being given the Okay to begin meddling in Human-Affairs, the Entire World is changed because of it. And as I have already highlighted, attempts to stop Him have met with horrific consequences. To such an extent that He was ALLOWED to peddle His Weaponry to ALL SIDES in various World Wars and Conflicts!
While he openly welcomed attempts to come at Him Directly.
So that he could accidentally express His Displeasure at being attacked by what HE KNOWS are nothings in the grand scheme of the Omniverse!
So while I have not sugarcoated anything with what I am doing, I have seen this happen with various other stories written and put up on the big screen and small screen. I watch tiresome and disappointing attempts to make seem like everything will work out in the End. By lying to the audience to let them leave feeling like if such a situation honestly occurred on any-level, they'd be able to somehow survive unscathed. When Reality shows many wouldn't make it the first few minutes, let alone get through the entire ordeal.
But a few days ago, I was reminded.
That Michael Bay, ONE TIME.
Showed what would HONESTLY HAPPEN.
If he were to honestly show what a Transformers Movie would look like.
If he HONESTLY.
Took it SERIOUSLY.
And based it off of Reality.
When I saw this scene and was reminded that it had even existed in the first place?
That is what caused me to make THIS POST, days later. Because it really got me to look at why I have written Counterstrike the way that it is, ESPECIALLY, the Imperial American Counterstrike Forces.
Where it isn't about political correctness.
It isn't about worrying about people's feelings and supposed morality.
It is about understanding that now that the genie is out of the bottle, for whatever reason, by whatever means it was unleashed!?
Allowing more Off-worlders to arrive and openly disrupt and destabilize the Earth and Her Inhabitants is out of the question! And whatever means is Needed, is whatever means WILL BE USED!
This one scene to follow.
Was the ONLY TIME, that Michael Bay decided TO SHOW THE AUDIENCE, The Reality.
Of what it would be like to be CAUGHT IN THE MIDDLE of a War that is MILLIONS OF YEARS OLD. Where this...?
Is only, one.
From Their War....
I told people a long time ago that Japanese Animators don't get paid for shit. And I do honestly mean, a long time ago, as in decades.
The response I got was that I didn't know what I was talking about, that I had to be crazy. Because American Animators got paid x-y-z.
I then reminded people that actual American Animators and Animation COMPANIES, went belly-up while We'd all been children back in the late 70's and throughout the 80's. And it was for the same reason why when I tell people who keep asking ME about making My Works, into an Anime-Cartoon.
It is grueling and not for the half-assed.
It costs a LOT OF MONEY AND TIME and the real reason why AMERICAN ANIMATION COMPANIES DISAPPEARED WAS BECAUSE IT WAS SIMPLY TOO DAMN EXPENSIVE ALL THE WAY AROUND.
Do ANY OF YOU EVEN KNOW WHAT THE FUCK A FILMATION STUDIOS WAS?
Again, I GREW UP WITH THIS CARTOON RUNNING in the 80's.
How about THIS ONE;
The New Adventures of Flash Gordon was ALSO from Filmation Studios. And came out BEFORE the He-Man cartoon was even a concept. If you look at the closing credits closely, LOOK AT ALL OF THOSE ANIMATORS!? Annnnnnnnnnnnnnd, of course, now Youtube is fucking up and not loading videos properly and I already KNOW WHY.
It's because I'm SUPPOSED TO BE, working out!
This is the downside to NOT HAVING REACHED AUTONOMY YET, where I can simply MAKE MY LIVING FROM THIS WEBSITE. Lemme go on ahead and get into THE GUTS OF THIS, because I've made My Point regarding THE. FACT!
That doing Animation IS NOT AS STABLE AND LUCRATIVE AS PEOPLE THINK, when You are AN ANIMATOR.
When people ask me; Why don't you just do an Animation and make a cartoon of Your Work?
They really haven't even honestly thought about what it would take to do that. And for This Post, I'm just highlighting JUST THE PEOPLE WHO DO THE ANIMATION FOR THE CARTOON-ANIME. Haven't gotten into THE VOICE ACTORS.
Haven't gotten into THE SOUNDTRACK.
Haven't gotten into THE DIRECTOR.
FINANCING AN ANIMATION.
The FOUNDATION, the Animators, where I have already told you that I Myself do NOT NORMALLY DRAW MULTIPLES OF THE SAME ARTWORK THAT I MAKE, meaning?
Once I draw ANY CHARACTER ONCE...!?
I've drawn the drawing.
THAT'S IT FOR ME!
It shows what I NEED IT TO SHOW, now!?
But when you are talking about MAKING AN ANIME-CARTOON?
Now you've lost Your Fuckin Mind and you need to FIND THAT SHIT AND GO DO ALL THAT BULLSHIT YOU JUST SAW YOUR FUCKIN SELF!
HAHAHAHAHHAHAHAHAHAHAHAHAHAAHAH, O_O Unless...?
You Pay Me for All That.
See when I type to You about Race, this is where these types of things begin to REALLY. BECOME AN ISSUE. The same way that NATIONALITY, can ALSO, become an Issue. As a Blackman in America I literally, AS I TYPE THIS. Saw My Parents and Family around Me, as I was growing up. Constantly PISSED.
Because THEY WEREN'T EVER ABLE TO GET PAID THE SAME AS THEIR WHITE COUNTERPARTS.
Now why that may CAUSE SOME WHITE PEOPLE READING THIS TO HEM-N-HAW, hem-n-haw all YOU WANT. Your Hemming-nor-hawing or even YEE-HAWING for all I care, DOESN'T CHANGE MY REALITY AND WHAT HAS HAPPENED.
This FACT, of Black Employment wages NORMALLY BEING BELOW THE AVERAGE, is part of the reason why I have ALWAYS FOUND WAYS TO WORK FOR MYSELF! Because as THE BOSS, I then MAKE SURE I GET FUCKIN PAID ACCORDINGLY! I'm not even gonna get into the bullshit I've experienced when speaking to MY OWN PEOPLE about the Need to OWN AND PRODUCE OUR OWN SHIT!
Oh, confused are you, maybe, on why would I NEED TO TELL other Black People that when you own-n-control AND PRODUCE, then?
You have POWER AND CONTROL AND CAN MAKE THE RULES!
Why do I need to TELL THEM THIS?
Well, cuz, uhhhhhhhhhhhhhh, THIS;
Mind you that is THE SANITIZED AND ACCEPTABLE VERSION OF WHAT HAPPENED. What is NOT. Talked about, is that THIS WAS COMMON. And TYPICAL. Mind you, if you DO NOT, understand what THIS, has to do with MY TOPIC, then I'll CLARIFY.
No one can get but so far if they begin or DEVELOP, a DEFEATIST MENTALITY.
And ones Customs-n-Culture, IS INTERTWINED WITH ONES PSYCHOLOGICAL MAKE UP AND COLLECTION OF EXPERIENCES.
If your Collection of Experiences becomes;
1) I BUST MY ASS TO BUILD SHIT AND SOMEBODY ELSE CAN ALWAYS DESTROY IT AND GET AWAY WITH IT, then?
How exactly long before AT SOME POINT OR ANOTHER, people QUIT BUILDING.
People, STOP TRYING TO DO FOR THEMSELVES.
The above example of Tulsa is A DROP IN THE BUCKET.
I could actually POST FAR MORE AND FAR WORSE FACTS that have led to Me being alive RIGHT NOW. And LITERALLY, having to ARGUE with Black People that are FAR SMARTER AND MORE TALENTED THAN I EVER WILL BE.
Where they simply WILL NOT.
Do ANYTHING ON THEIR OWN, unless it is DIRECTLY TIED TO A PRE-ESTABLISHED WHITE COMPANY OR PERSON.
How does THAT, have anything to do with why Animation is difficult and, because?
Everybody NEEDS TO KNOW AND SEE AND EXPERIENCE.
The Fruits of Their Labor, PAYING OFF PROPERLY.
And NOBODY, ANYWHERE, is gonna KEEP DOING SHIT AND NOT GET THEIR RIGHTFUL REWARDS FOR DOING IT, not even in Japan.
I told Fools FOR DECADES, that Japan's customs-n-culture, while seemingly ON THE SURFACE. Looks cool.
Lemme tell you something.
You can't PAY ME ENOUGH to even dream of Being Japanese.
Because THEIR CUSTOMS-N-CULTURE, raises Them.
To DO THINGS THAT USUALLY HAVE LITTLE TO NO FULFILLMENT TO IT.
The above video of the Destruction of Black Wall Street, highlights how Whites intentionally SOUGHT OUT AND SLAUGHTERED the Blacks living there and had ALWAYS BEEN JEALOUS OF THEIR PROSPERITY. However I cannot even imagine a means where THAT KIND OF... DYNAMIC, is actually A PART OF YOUR ACTUAL "NORMAL EXISTENCE", minus the physical slaughter.
I told people that Japanese Animators don't even come close to getting paid WHAT THE AMERICAN ANIMATORS WERE GETTING PAID BACK IN THE DAY, and IN THE END!?
American Animators UNDERSTOOD "I'm never going to be able to ACTUALLY EARN A LIVING THIS WAY WHERE I'M NOT CONSTANTLY UNDER DURESS, cuz I can't pay my fuckin bills! And it takes x-amount of hours TO DO ONE FRAME OF WORK, where once it is over My Paycheck for all of this ONLY ALLOWS ME TO GET BACK HERE FOR THE NEXT CARTOON WHERE I RINSE-N-REPEAT THIS SHIT TILL I'M DEAD!"
Nobody is gonna keep on doing that.
Not even the Japanese.
And I CONTRAST the Black American Experience, where I am typing about BEING MURDERED.
For fuckin starting a business.
And being fuckin successful at it.
Then having GENERATIONS OF HAVING YOUR WORK DESTROYED.
Because I already knew MY OWN HISTORY when I was younger.
Then when I learned about the Animation Industry, I knew that NOBODY IN THEIR RIGHT MIND. Is gonna keep doing something THAT THEY HONESTLY DON'T HAVE TO DO.
It never ACTUALLY PAYS OFF.
Isn't that some shit?
To be able to MAKE SOMETHING...?
But it will NEVER AMOUNT TO FINANCIAL SECURITY OR STABILITY.
And that is the Intersection on why I compared-n-contrasted these two.
Black Business Building, was and STILL IS, being thwarted on purpose.
But now the level of apathy from generations of this, has LITERALLY CREATED, Black American Apathy towards it, which is HORRIBLY BAD.
You don't NEED TO ANIMATE ANYTHING.
But the Fact that One can DO SUCH A THING AND HAVE SUCH SKILL, while in actuality they will NEVER ACTUALLY BE ABLE TO GAIN FROM IT?
I knew the bottom was going to fall out eventually.
And it has, because people are now finding out that Japanese Animators, get what equates to $4 per hour.
To create something like this intro;
Lemme close this out with This.
No way am I ever going to trivialize My Own People's History.
For the Record, My Aunt Shirley Williams.
My Mother's Younger Sister?
Was an ungodly talented.
An overall Artist.
And she was intentionally driven insane by White Americans right here in Philadelphia. Because they were envious of Her Talents. For every piece she did, they would intentionally destroy it overnight. And everybody thought that was, so much fun. And of course, nobody knew who was doing it. It was an accident, that always kept happening, till she literally.
Suffered a nervous breakdown from refusing to leave the art school and trying to find SOME OTHER WAY of getting Her Talents out to the World.
By the time I was born, she needed medication to keep her neurotrans-levels in order, and without digging too deeply. I took psychobiology classes in college. To reach a point of being so stressed out yet REFUSING to simply just, LEAVE. She kept on trying to "soldier through it" which ultimately cost Her, Her Sanity. Mind you when all of this happened to Her, medical-drugs for Mental Disorders like chemical imbalances in the brain?
Were pretty shitty.
Experimental over all.
So the dependency and side-effects?
Even as I sit here typing I remember how talking to Her and interacting with Her, I was a child and could LITERALLY SEE AND HEAR how she would change as her med-dosage for that moment or day or night, was wearing off.
Literally like watching Her become an entirely different person. And not the kind you'd want to be around. Then it became all about making her take her meds, where once the meds wore off. It was literally like you were face-to-face with Her Persona that never came out when Her Work was being destroyed and everyone thought it was cute-n-funny.
I cannot even fathom a WILLING EQUIVALENT OF THAT.
I'm not even trying to bullshit anyone who spends quality time to create or do something.
But then they get bullshit back in return.
I could not fathom a WILLING EQUIVALENT OF THAT.
Until I started learning about the Animation Industry.
The amount of work.
The lack of reward based off of merit.
I've been up since 4:30am EST, working on a specific part of the Scargill-storyline concerning the Vudune-Shamaness Arta Syndora & the fact that while Scargill & His Parents had been travelling from the PITTS of HELL on the very LOWEST PLANES OF HELL!
What was going on with those HE ULTIMATELY REACHES AND IS A PART OF THE STORYLINE-N-STORIES!?
That YOU THE READER ULTIMATELY END UP READING!
I'm not reinventing the Wheel-of-Storytelling and Writing. On the contrary, I'm simply following THE NORMAL WAY of honestly CREATING A MYTHOS!
So why the hell am I typing THIS NOW?
Because throughout the weeks and months I have had THE DISPLEASURE of constantly seeing My Bullshitting Surrogate Son who clearly has NOT ACHIEVED HIS "painting aspirations". Where My Sworn Brothers, especially My Youngest Sworn Brother whom I've been talking to extensively over the last few weeks REGARDING MY CREATIVE PROCESS and the how-n-why ways that I do things.
He has been utterly shocked at how much knowledge I attempted to give to that bumbling idiot of a Former Surrogate Son!
Where he kept asking me why the fuck was he, it seemed like he was just being difficult to be difficult. But then when you wouldn't give him anymore game, when you wouldn't school him and clue HIM IN on how you were getting shit done!?
Then he got angry.
He wanted to do shit HIS WAY ANYWAY, which is why anytime I see his STUPID FACE while I'm on My Way to the Day-Job, IT DISGUST ME! Because he simply wanted THE END RESULTS OF SUCCESS! WITHOUT THE TEDIOUS AND CRITICAL PART OF FUCKIN WORKING TO CREATE AND BUILD THE SUCCESS THAT COMES AFTER ALL THE HARD FUCKIN WORK!
So now I've been up since 4:30am EST.
I've spent the lionshare of this time scanning the new artwork.
Then getting her in order.
Then sitting down and working on Arta Syndora and Her History, which you will get a chance TO READ SOME OF TODAY! But while I was in the midst of organizing and typing things out, like take for example;
Kikkwet Cmndr Luciela Tupa
Kapanga Agency Kikkwet Zenni-Zapata
Affiliation 13-Eye of Zenni-Zapata
Rating 8 Clutch Rating 10 Critical Clutch Rating 4
Lineage/Legacy Lady of Luciela-Family of Zenni-Zapata Province
Critical Notes 6th-Ranked Operative of Kikkwet Zenni-Zapata, Dispatched to Frontier-Fort Ta-Nang due to the defeat/destruction of 8th-Ranked Operative of Kikkwet Zenni-Zapata, Cmndr Cavilli Barong who was also a 13-Eye of Zenni-Zapata and Head of the Cavilli-Family. Tupa, like the defeated-n-destroyed Barong, had been sent in to not only investigate confirmed reports of conspiracy by Alondra, but most importantly!? To find out concrete proof of the nature of the conspiracy Alondra was engaging in. Tupa successfully confirmed that Frontier-Fort Ta-Nang had been completely taken over by the remnants of the long thought destroyed Vudune-Sect of the Great Betrayers!
Tupa was caught while attempting to escape and forced to quietly eliminate Undra-Family Vudune-members, which caused Her to trigger Lady Undra's Links to Her Undra-Vudune CO's that she was quietly and quickly defeating-&-destroying as she was making Her Escape!
What you just read is the work needed FOR THE BACKSTORY-HISTORY of one of the IMPORTANT CHARACTERS TO THE MAIN CHARACTER OF SCARGILL.
In that clip you've just read about AN ENEMY OPERATIVE whose job IT WAS to make sure bitches like Arta Syndora weren't out there fuckin shit up for the Kapanga-Queendom internally!
Luciela Tupa was an intelligence-officer for Kapanga who was clearly sent to investigate some shit going on that appeared out of the ordinary. As such this brought her into conflict with Arta Syndora. Note that I clearly took the time to lay out all of the critical information so that I can KNOW WHO TUPA WAS AND WHAT SHE'D ACCOMPLISHED BEFORE ULTIMATELY MEETING HER DEATH ON ASSIGNMENT AGAINST ARTA SYNDORA!
Arta Syndora is a Quwari-Spear Shifter.
Now unless and until I do My Fuckin Job to give any of that shit I just typed of what in thee fuck a goddamn Qu-what's it-spear-shifter MY ASS MEANS!? MEANS!?
Then I'm not only wasting Your Time, BUT I'M ALSO WASTING MY OWN FUCKIN TIME! Because the Reality of the situation is that it takes time, effort and talent to be able to connect all of that together and then connect what is created with the Reader/s so that they give a fuck. And if the Creator is bullshitting and half-assing with what They Create, then the Reader is going to see that and feel that as they are trying to get into what they're reading and they're just gonna put the shit down!
So it requires TIME AND DEDICATION on the part of The Creator.
To create something that even stands a chance of CONNECTING WITH READERS WHEN THEY READ IT!
But if all a Creator is interested in is trying to find a way to GET PEOPLE'S ATTENTION SO THAT THEY CAN CON THEM OUT OF THEIR MONEY!?
And that was all I kept seeing when I saw My Former Surrogate Son. He JUST WANTED FAME AND FORTUNE. And anything involving HARD WORK TO EARN IT WAS OUT!
The process of creating ANYTHING WORTH WHILE, is NOT SHORT. Especially when talking about writing. And he simply thought that it was just SLAP THAT SHIT TOGETHER AND THEN TRY TO JAM IT DOWN ANYONE'S THROAT AND DEMAND MONEY!
No matter how many times idiots and assholes try to put forward the flukes who strike gold. The mass majority who could care less about what they are creating and are actually on some bullshit to rip people off and con them, simply never get out the gate. AS THEY SHOULDN'T. And he never got that and didn't really care. Especially.
When it came time to sit down, do the work, flesh everything out. Make sure it all interconnects properly. And then be about the business of typing it all up! The entire creation process, is a process, and not some ole Philadelphia 76ers RIP OFF OF TANKING TILL YOU GET LUCKY IN THE DRAFT!
While you fuck your fans over and make them sit through season after season of shitty-fuckin teams being put on the floor, FOR WHICH...!?
Just needed to add that part, cuz it was the part My Former Surrogate Son never got. Nobody in Their Right-Mind, is going to PAY, for slop. Shit.
You cannot expect people to give Their Money to You.
When you can't even fuckin be bothered to make it worth Their Money.....
Here are THEE LATEST pieces of My Artwork to be submitted for approval for sale on Williams Works Webshop! I'll lay out the merchandise in the next 24-hours so that it can be approved for sale by Friday at THEE LATEST!
Ever wonder how Your Favorite Characters got to where they are and who exactly did they meet on Their Way to where You are now seeing them, and...?
Whatever happened to those they'd met and why aren't they with the main character you are seeing about, reading about, now?
What was the main character's life like?
How did they learn the things they are showing you now?
Who taught Them?
Who was influential in Their Lives before what you see now?
And how did They Get to Where they are now?
As I've typed to you before.
The Prequels of Star Wars attempted to do an honest backstory.
And answer all of that.
You've also seen this done in countless other ways, the Arrow uses flashbacks.
Plus they usually bring someone from the flashbacks to the present-day.
With Scargill and the fact that His Journey actually started with His Parents and they were literally in the depths of HELL! And after the destruction of Their Homeland they decided that ascending to the Upper-Planes, while being powerful Hellions of the PITTS of HELL!
Would probably make for a better life and more secure future where they themselves would only need to build and secure a new land for themselves. Probably by initially joining some!?
And it was at this point that they realized that if they could make it back to The 9th-Plane of HELL. The Heart and the Eye of the long-since-gone Quwari-Queendom of the Upper-Planes! And of course there is a legit reason why Scargill's parents would even think of getting from 90-something to the 9th-Plane of HELL. Of course they had to KNOW.
That coming from and crossing across so many varied, dangerous, and thoroughly divided planes. Simply to reach the one that housed a Whore Demon Queendom that disappeared literally 10's-of-Thousands of Years ago!
They'd have to know that when they reached the End of Their Journey.
There had better be something there that justifies all of the shit they were about to go through. And as Scargill now knows present-day, they were right.
How did he get, here;
And more importantly...?
Did he have any help?
Well, I can answer that question now, yes He did.
Which leads to the next question, what happened to Those Who Helped?
And I can and AM, answering that question right now.
Because I already know that to get from plane to plane, requires passing through STABLE.
These regions which used to be easily accessible and controlled during the days of both the Flase Empress of HELL and the True Empress of HELL.
Have since fallen into and through, countless hands of various wanna-be's and would-be Whore Demons that understood that the ability to allow and deny access ONTO AND OFF whatever plane they were on. Meant a lot of power. Prestige. Control. And of course, danger.
To cross these points, Scargill, like His Parents had done with him in tow. Would have to first figure out who it is that rules the Gate or Portal. Then figure out in fast-time what the milpol-climate is and was for that place and the current rulership. And then they'd have to figure out how best to capitalize off of it and what they would have to do so they could find or create the means with which to barter or sometimes bully Their Way through.
What I am working on now are the very people for whatever reasons they had or have.
Decided to take up whatever they had or have.
And follow Scargill on His Journey across Their Plane.
To wherever a Gate or Portal existed on Their Plane.
Figure out some sort of fuckery to get through the Gate-Portal.
And then rinse-n-repeat the same madness on an entirely new plane.
That none of them knows shit about....
And that is why I decided to dub them Plane-Companions.
I'd simply like to say, I need to say.
I have not watched wrestling in a very very long time.
I do not and never will say that thing now known as the WWE.
I'll never call it by its forced name of the WWE.
Was at one time highly addictive enough that even the women I knew were watching it.
And the main reason for that was because of the fact that the WCW was an HONEST AND REAL THREAT TO ITS EXISTENCE.
Ironically, ECW, was the ultimate alternative TO BOTH.
And as a Philadelphian, I enjoyed watching ECW on the long since gone Channel 48.
Throughout all of that?
Each one of these wrestling promotions had THEIR SHARE of standout superstars.
From Rob Van Dam and Sabu of ECW alongside of Tazz and SO MANY OTHERS!
To The NWO of WCW and DDP, HARLEM HEAT and eventually Booker-T!
To The Rock, Triple-H, and Stone Cold Steve Austin!
But among them all.
Has ALWAYS been the BIGGEST AND MOST ENDURING WRESTLER of My Time.
He wrestled His Last Match, and showed why he has endured by doing The Job and putting over whomever it was and then calling it a career.
From the character concept.
To all of the GREAT MUSIC that Jim Johnston has created SPECIFICALLY for This Character.
To of course.
The Undertaker Himself, Mark Calaway.
When I was working on the map for the Scargill-storyline I listened to the embedded version of what would ultimately be called Darkside. There are so many variations to the Undertaker's Theme. But as I was sitting at the day-job I felt as though it was fitting that here in Philadelphia there was driving rain, pouring rain!
Heavy downpours and high winds.
To the point that any time the rain and wind stopped the fog would roll in from off the river and you could barely see your hand in front of your face and I said to myself;
Is appropriate for me to work in.
To work with.
Where it simply me.
And the Inspiration that I need to step My Game Up.
So that I too can walk away and know that I did something.
That will live on long after I have passed on.
Thank You, Mark Calaway.
For DECADES of entertainment and inspiration....
I've been up since 7:30am EST working on backstory and all of the working parts for Scargill's storyline. It hasn't taken me anywhere near as long as I originally thought it would since I've been putting together bits and pieces for the last few weeks and finally decided to openly start posting about it here.
Hammering out the web of characters connected to and opposed to Him and Their respective backstories has also been very interesting as well. Like I typed about before when I spoke on the Star Wars Prequels. It is hard to create something that you really either don't know about or have an actual feel for. And political intrigues of power is something that can turn as dry as two dogs fucking in a hurry if you're not careful.
However when you're talking about the politics of power amongst Non-humans or at least human-beings or humanoids who can do things that we can't do. Then you should be able to keep an audience's attention in some way shape or form, simply based on the fact that they're watching humans with non-human abilities! Try to handle the politics of their world, universe, whatever.
The Prequels had great potential ideas.
But the execution simply wasn't there.
Also didn't help that much of everything's outcome is actually already known. So tampering with shit like making Boba Fett a clone, was plain-ole-stupid. BUT!?
When I look at the fact that George Lucas can be assholish about certain things, where he has always made it clear that he has NEVER LIKED. Boba Fett's popularity. And he was ALWAYS JUST MEANT TO BE A THROWAWAY CHARACTER. So fucking him over even more not only didn't surprise me but it did make me realize WHAT NOT TO DO. As if I needed that lesson in regards to carrying My Own Pettiness into what I am/have/will, create.
So while I was working this morning I was left to look at the web of characters around Scargill. The storyline I've already worked out. The History and all of that. And then I began working through starting at Scargill and His Parents and Their Family of course.
And then working my way up from Them to where they ultimately settle at, which is the setting for where the story takes place.
Once I got THAT DONE.
Then I could go on ahead build everything else up around THEIR CENTRAL HISTORY AND STORYLINE. And build the CENTRAL THEME that ultimately was the Cause behind why Scargill's Family has done what they've done leading up to him getting the baton and then running with it!
As usual with me the videos I use in My Post ARE NOT THERE BY ACCIDENT. And clearly the theme of the video is an indication of the theme of the post that follows. As I have stated before I have no problems with finding pre-existing materials that FIT MY OWN IDEA. Which means that My Own Idea CAME FIRST.
Then FINDING SOMETHING PRE-EXISTING THAT EMPHASIZES MY IDEA COMES NEXT. Which is why people have asked me for decades, how the fuck did you get THIS FROM THAT!? And I have always told them the fact that My. THIS. Was never ABOUT THAT. THAT? Happens to be something that allows Me to fill in blanks that I can't do on my own right now. Like creating My Own Music. I don't know how to read nor score music. So I can't sit and create what I sometimes hear in MY HEAD, music-wise, as I am writing, typing, drawing, ETC!
So I have to use PRE-EXISTING MUSIC that comes CLOSE TO WHAT I HEAR IN MY MIND OR IMAGINE WOULD FIT WHAT I AM WRITING.
With that typed...!?
Lemme get back to it.
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